Maaloom - Lekar Hum Deewana Dil Song Download

Maaloom - Hriday Gattani & Jonita Gandhi


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Khaleefa Song Download (Lekar Hum Deewana Dil)

>> Khaleefa - AR Rahman

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Download Million Dollar Arm Songs

1. Makhna.mp3      (Download)


2. Million Dollar Dream.mp3    (Download)


3.Unborn Children.mp3    (Download)


4.We Could Be Kings.mp3    (Download)


5.Taa Taa Tai.mp3    (Download)


6.Keep The Hustle.mp3    (Download)


7.Nimma Nimma.mp3     (Download)



8.BobbleHeads.mp3      (Download)



9.Never Give Up.mp3      (Download)


10.Lucknow.mp3        (Download)


11.Farewell.mp3        (Download)


12.Desi Thoughts.mp3     (Download)


13.First Tryout.mp3       (Download)


14.Calling Scouts Again.mp3    (Download)



15.Welcome To India.mp3     (Download)


16.The Final Pitch.mp3       (Download)

Million Dollar Arm Songs Lyrics

Keep The Hustle - (wale & AR Rahman)

[Intro:]
I'm on a whole new rock
(Hustle) don't ever quit and (?)
(Hustle) uh uh
(Hustle) cause one day you're gonna be something (?)

[Hook:]
I'm on a whole new rock
Kick it in them (?) cause I know what I got
Everything I need's in a whole new spot
(?)

[Bridge:]
(Ma-ma-ma-ma-ma)
May! May! Money!

[Verse 1:]
Swings for his fences I'm a beast (?)
I'm the reason all the people leaving out they seats
I guess it came easy, everybody be good
Had to get my mind right to climb out the hood

[Hook:]
I'm on a whole new rock
Kick it in them (?) cause I know what I got
Everything I need's in a whole new spot
(?)

[Verse 2:]
Concords cause they climbing isn't good
Designer level good (?)
It's go yard stunting
And go hard haters, I pay no regard to 'em
Shine on 'em youngin', shine on 'em youngin'
It's first class, tell 'em they never (?) with me
Can't even (?) my

[Bridge:]
(Ma-ma-ma-ma-ma)
May! May! Money!

[Verse 3:]
I'm on a whole new rock
Get enough to do with it
Get enough tonight
Get enough to do with it, it's a brand new sound
Say it's okay we need to (?)
(Hustle)
Say it's okay we need to (?)
(Hustle)
Cause everything ain't sweet (?)
Don't ever never quit and keep the hustle
Everybody tryin' eat

[Bridge:]
(Ma-ma-ma-ma-ma)
May! May! Money!

Million Dollar Dream - (Iggy Azalea & AR Rahman)

I give it all for the dream

I give it all for the dream

I give it all for the dream

I give it all for the dream
Cause the goal ain't as far as it seems
I got this million dollar arm
Throwing everything I got into this million dollar dream

Into this million dollar dream
Into this, into this million dollar dream
Live and direct fresh out the jet
My bet is y'all ain't seen nothing like this yet
Confident walk, it's success when I step
You'll probably never see this again, don't hold your breath

I give it all for the dream
I give it all for the dream
I give it all for the dream
I give it all for the dream

Spinning bowls good enough to bring the winnings home
Now the top of the mound is what we sitting on
Balling like we supposed to
The level that we sitting in now ain't nobody close to

Everything that mean something is what we came for
I'm going home with it all, that's how the game go
I'm on the way to the top, I know the way to go
We just want the world while it's spinning
That's what we playing for
Nothing new here so what I gotta do here?
I like it, I love it, I just might bring the whole crew here

Stay for two years and get to acting like I grew here
Next thing you know, you look up, I ...
Everything that mean something is what we came for
I'm going home with it all, that's how the game go
I'm on the way to the top, I know the way to go
We just want the world while it's spinning
That's what we playing for

I give it all for the dream
I give it all for the dream
I give it all for the dream

I give it all for the dream

Nimma Nimma Lyrics -  (jaspreet jasz & AR Rahman)

Haisha… hoye nimma nimma
Haisha… hoye nimma nimma
Haisha… hoye nimma nimma Jogiya! [2x]

Nimma nimma hans de tu Jogiya
Kanni kach diyaan mundra tu paa
Haisha… oye nimma nimma
Haisha… oye nimma nimma

Je tu kar tere sang ik waar
Bas mainu miliya ae Rab tere naal
Nee tere nain sharabi (Haisha)
Nee tere gal gulabi (Haisha)

Tere ankhi jado tapeya kamaal
Nimma nimma hans de…

O nimma nimma
Oye nimma nimma
O nimma nimma… Jogiya

(...)

Haisha… Aye nimma nimma
Haisha… Aye nimma nimma
Haisha… Aye nimma nimma Jogiya![2x]

(?)

Haisha… Aye nimma nimma
Haisha… Aye nimma nimma
Haisha… Aye nimma nimma Jogiya![2x]

Nimma nimma hans de…

Haisha… Aye nimma nimma
Haisha… Aye nimma nimma
Haisha… Aye nimma nimma Jogiya![2x]

I will always remain a common man

"No amount of stardom will ever consume my soul and I will always remain a common man," says Oscar-winning musician A R Rahman.



The 48-year-old composer, who is the only Indian to bring home two Oscars, a Golden Globe and a Grammy award, says he is not overawed by fame and money. 

"When you do something with a lot of honesty, appetite and commitment, the input reflects in the output. Success comes to those who dedicate everything to their passion in life. To be successful it is also very important to be humble and never let fame or money travel to your head. 

"I was a common man and I will always remain a comman man. No amount of stardom will ever consume my soul. Money comes, money goes. Fame comes, fame goes. I believe every human being is a celebrity in their own right," Rahman said. 

He made a glorious start in 1992 with Roja whose songs like Dil hai chhota sa and Ye hasi wadiya became instant hit. He most recently composed for Hindi film Highway. 

Rahman candidly says that he still has a long way to go in the music world. 


"The more I compose, the more I know that I don't know it all. I think it's a good way to start. If you think you know it all, the work becomes a repetition of what you've already done. I try to make sure that I don't repeat my music." 

"The audience doesn't like old and expects to listen to new music every time. I would like to benchmark it that way. So, I make experiments in music," he said. 

The Mozart of Madras is currently preparing for his multi-city road trip RahmanIshq. The event, organised by Techfront and Rapport Global Events, will see the composer reconnecting with fans on the one-on-one basis after a gap of two decades. 

"I thought it was time to reconnect with my fans on a more interactive and personalised platform. Nothing compares to a live performance where I get to visually experience the love of my fans. In this tour we are combining the old and new and we hope to satisfy our fans," he said. 

Rahman will begin his live concert from Kolkata (October 1), followed by Visakhapatnam, Jaipur and Ahmedabad and each city will have a unique setting and performance. 

"The entire journey is very close to my heart and each city is just as special. For Jaipur, I will bring in an element that highlights royalty, for Ahmedabad I will bring in an element that highlights folk dance, for Kolkata I will bring an element that highlights literature and for Vizag, I will bring in an element that highlights mythology," he said. 

Born in a musical family, Rahman started his journey at the age of nine. He started off initially as a keyboard player and an arranger in bands. He burst onto the Indian music scene with Mani Ratnam's Roja. 

A firm believer in God, Rahman remembers how he went into a spiritual vacuum while composing the tracks for Roja. 

"My journey as a musician started at the age of nine and I see music as a way to connect to spirituality and embrace it. When I was composing for my first film, Roja, I went into a spiritual vacuum where nothing else mattered except the music," he recalled. 

AR Rahman: How I start my day

   

"Often, my work keeps me up throughout the night because it's best to concentrate and orchestrate in the silence of the night. At the same time, I try not to miss my morning prayers. I usually get up in the wee hours of dawn to pray. 

Morning prayers hold a special significance for me. It is this time when I completely surrender to the Almighty. A lot of grace flows into one's life at this time. It is during these serene morning hours that one comes closest to the Omnipresent One. God, for me, is the source of limitless energy that fuels creativity in every human being. It is best tapped in the early hours of dawn.

At the same time, it is important for everyone to have at least 5-6 hours of undisturbed sleep. So if I work through the night, I simply go off to sleep in the wee hours. Then I get up by about 11 am or so and have my breakfast. Steaming idlis and sambar with coffee make for a good start.

If I am in LA, I prepare my own breakfast: two slices of toast and omelette and some fresh fruit juice. Good food is a great creativity booster for me. If my day begins well, I can manage the most hectic schedule quite smoothly."

AR Rahman To Compose Monkeys Of Mumbai

A R Rahman will compose music for the upcoming DreamWorks Animation film, Monkeys Of Mumbai. Gurinder Chadha and Paul Berges, who penned, Bride & Prejudice and Bend It Like Beckham, are writing the script. Stephen Schwartz, who penned the music and lyrics for Broadway’s Wicked, is working on the lyrics.

Kevin Lima, who directed Disney’s animated, Tarzan, before transitioning to the live-action hits 102 Dalmations and Enchanted, is returning to his roots. Lima has been signed on to direct the film. Also boarding the project as producers are Lisa Stewart and Chris Chase.

Monkeys Of Mumbai is the company’s first Hindi film-style animated musical adventure and is on the lines of the great Indian epic, Ramayana.

Iggy Azalea Joins Bollywood Icon A.R. Rahman for New Song - Premiere

Iggy Azalea has been on a roll: Last week, her first proper album, The New Classic, debuted at Number Three, and at the moment she can be heard on both of the two most-streamed songs in the country, Ariana Grande's "Problem" and her own "Fancy."

"Million Dollar Dream," however, finds the Australian rapper going in a different direction, collaborating with Academy Award–winning composer A.R. Rahman — the man behind the scores for such films as Slumdog Millionaire, 127 Hours and Raanjhanaa — and Bollywood playback singer Sukhwinder Singh for a song from the soundtrack of Disney's Million Dollar Arm, out May 16th.

The film, directed by Craig Gillespie and executive produced by Bill Simmons, tells the story of a sports agent (played by Mad Men's Jon Hamm) who travels to India in order to sign a pair of cricket players and teach them to play baseball. Iggy, for her part, sneaks a few baseball references ("Now the top of the mound is what we sitting on") into an motivational little song about coming to America to realize your ambitions.

"It was fun to work with up and coming new talent like Iggy," Rahman told Rolling Stone. "She added a lot of zing to the Indian punjabish track we did for the movie."

‘The best lesson? Make others happy’, says A.R. Rahman

Contrary to his reticent image and pressing global commitments, the Mozart of Madras, Allah Rakha Rahman has always obliged DC for a no-holds-barred, straight-from-the- heart interview. This time too, he doesn't disappoint. On the occasion of his 48th birthday (January 6), even as he was gearing up to leave for Los Angeles with son Ameen, the double Oscar winner opens up about what makes him remain grounded, how Charlie Chaplin’s comedy helps him de-stress, his better half, Saira, being his pillar of strength, how he has no time for ‘guilty’ pleasures, his admiration for Sachin Tendulkar, the Aam Aadmi Party’s success and much more, in an exclusive interview.

“Since my son and I will be travelling on my birthday, I would like to thank all the people who gave me their loving birthday wishes and I pray for their well being,” A.R. Rahman says with his characteristic smile.  

Have you ever felt that you missed out on your school days when you chose music for a living?
Not anymore! But when I look back, the pre-adult professional experience from the age of 11 onwards has a lot of value. Spending time at my own music college now with our students, I do manage to catch up with some of that lost time.

Having come this far, what lessons has life taught you?Each one of us has our own evolution of life and each one of us goes through different tests which are unique and challenging. But certain things are common. And we do learn things from each other’s experience. On a spiritual journey, we all have the same destination. But worldly life has its own colourful journey. The best lesson would be to make others happy — it could be family, partner, friends, neighbours etc.  Especially when you grow old, it’s better to be wanted than wanting things and being a pain to others. You always say wisdom comes from within and knowledge is acquired. Your inner voice is the voice of divinity. To hear it, we need to be in solitude even in crowded places. Knowledge is important, but it’s not original. Wisdom is what comes from within. We have to let it come.

There is a street named after you Allah Rakha Rahman in Markham, Canada, close to downtown Toronto.
It’s so nice of Canada to honour an Indian composer by celebrating 100 years of Indian cinema. I am very happy with what God has bestowed upon me right now.

Tell us about collaborating once again with Shekhar Kapur on his futuristic project, 'Paani'. What’s that one factor that makes you accept such out-of-the-box themes?
The project is Shekharji’s 10-year dream. He really believes in it. And only he can think like that. It’s such a great team. We have a very excited Aditya Chopra supporting the project and many international talents backing the vision. It’s a reality now.

You always help your protégés reach out to the masses through kind words on the social networking media. Like the one about your guitarist Sanjeev Thomas’ Chekele.
I like musicians and singers taking the initiative and leading. It’s such an inspiring gesture. These days it is all possible .We all have to think big rather than wait for an opportunity endlessly, doing the same boring things.

How do you feel when your songs become a rage, like 'Maryan' having been chosen as the ‘Tamil Album of Year’ in iTunes’ Best of 2013, but the films fail to create a similar impact?
'Maryan' was a credible film by Bharat Bala and Dhanush. The release was not promoted well. I am so grateful to the entire creative team for making the soundtrack such a success. I still keep getting compliments for the songs from various people.  I like people taking risks and trying to do something even if they fail, it is fine for me. If we don’t take risks we will repeat the tried and tested route.How adaptable is Saira after she came to know of your working style?
She has been a pillar of strength for my family and children. And she has fun designing my clothes and my sisters’ clothes when we perform live on stage. Saira has a natural flair for styling.

Recently, you said that whenever you feel low, you watch comedy scenes to de-stress. What kind of comedy elevates your mood?
Comedy is a universal language. I grew up watching Nagesh, Surilirajan, Thenga Srinivasan and S.V. Shekhar’s comedies.  And, of course, Charlie Chaplin! These artists are so blessed: they can make other people happy.

Vice versa — it’s a known secret that music has a healing magic. Do you think music should be made a part of school and college curricula?
That would be so good. It would help the next generation appreciate quality music and perform it as well.

What’s special about Imtiaz Ali’s 'Highway'?
It’s an unexpected, bold film, and he is an interesting turn of director.

Can you talk about your emotional bonding with Sachin Tendulkar. (You presented him a guitar signed by you.)
Sachin became such an unexpected friend. I guess it’s mutual admiration for the talent and gift.

Tell us about the Gautham Menon project
We have finished one song. And it’s too early to discuss it.

How do you manage to remain so grounded? You always say that you know only your work and God…..
I have chosen a path which navigates me to that attitude. I do lose it sometimes and feel really bad.  It is a tough balance playing many roles in life!

To whom do you owe all your success?
Ella Pugazum Iraivanukke (Some day I will explain the secret of this) which everyone knows.

Despite being a global celebrity, how do you manage to stay out of gossip/controversies?
I have too many responsibilities and principles.  There’s no time for ‘guilty’ pleasures.  That’s why (laughs)!

Where do you stand in your maiden production venture which has been written by you?
The director has almost been found. Next is casting, I guess.

What are your Hollywood , Kollywood and Hindi projects?
'Million Dollar Arm', 'Monkeys of Mumbai' in English.  'Paani', 'Highway', Arif Ali’s movie in Hindi and 'Ai' with Shankar, 'Kaaviya Thalaivan' with Vasantabalan, Rajini’s 'Kochadaiyaan' and a Gautham Menon film in Tamil. And some more surprises which you will know soon.

What do you think of the Aam Aadmi Party which won the recent Delhi elections? Would you speak for clean governance?
The Indian people have woken up and no one can fool them now. Jai Hind! 

PAG

In every song, I ask help from God: AR Rahman

interview at June 15,2013.

AR Rahman, 47, is most attached to his music. He cries with sound and gets excited with tools. He has learnt to make his choices and then stand by them. He uses most of his money to build his school and equipment and is truly excited talking about being the principal of his music school. He may have just missed a close chance to work with Michael Jackson, but is working towards his dream of presenting an Indian Broadway with his students. His latest music from 'Raanjhanaa' is extremely soulful and has entered the Mirchi Top 20 charts. He speaks to TOI about the musical instincts of his mother, his pre-marital pact with his wife and what he shares with Rajinikanth. Excerpts:

How early did you know that you would be related to music?
My mother (Kasturi Shekhar) realised it, not me. My father was an arranger for composers and a Man Friday for many of them. Those days, composers were Carnatic musicians, who would write the tunes, and my father would arrange the music and, so, he would be working with eight composers at the same time, working night and day. He died when I was just nine years old. Till five years after my father died, she would rent out his musical instruments to run the house after which she was advised to sell the equipment and live with the interest, but she refused saying, 'No, I have my son. He will take care.' She has music instincts. Spiritually she is much higher than me in the way she thinks and takes decisions, for instance, her decision of making me take up music. She made me leave school in Class XI and take up music and it was her conviction that music is the line for me.

Did you grudge her the decision of making you quit studying?
At that time, from society's point of view, if you were not educated, you didn't have a life. You would probably become a taxi or rickshaw driver without education. So naturally, I was torn at that time. And I thought that after a couple of years when I earn money, I would go back to finishing my education. But little did I know that education is about learning from life and putting you in a situation teaches you more than getting educated in a college. Not that studies is bad, but it's the difference between knowledge and wisdom. Wisdom comes from within. Knowledge is acquired and can sometimes put a screen on your wisdom. Because of this unfulfillment, I have a constant itch to learn from life. But my first job of working with Ramesh Naidu, as his second keyboard player, is what helped me buy my own instruments, which then became my future.

Do you express your love to your mother?
We are not like a movie mother-son always hugging and she saying, 'Mera betaaaa.' I have never hugged her in my life. I guess I am making it up in Hollywood, where you have to hug everyone. It's considered rude if you don't hug there on stage.

Do you miss your father?
At times when some important decisions have to be made, for instance, like when my sister got married. I did not know how to play those roles. Not having my father, I know how important it is to have one, so you tend to play the role of a father properly yourself. When I travel with my kids abroad, I am not myself, but I'm more a father, who wants to protect them. Sometimes, I am even aggressive about certain things and get surprised seeing myself like that, for instance, when people want to take pictures of them. I am fine if they want to take my pictures, but they are not public property.

Why do you work through the night?
It's convenient for me. I pray five times and the morning prayer is at 5.30. So if I sleep at 3, I can't get up. So I stretch my work by another three hours, finish my namaz in the morning and then sleep. I am able to control my demons better in my morning namaz and so, on days when I have done my morning namaz, I am much more calm. My wife will always say, 'Oh! You are angry today? You didn't read your namaz in the morning?' And she is right.

How does your wife manage with you working at night?
We had a conversation before marriage, otherwise we would have separated long back. That was my orientation to her. I had told her, if we have planned dinner and a song comes up, we will have to ditch the dinner.

While music excites you, what makes you feel low?
Every time I sit for a song, I feel I am finished. It's like a beggar sitting waiting for God to fill your bowl with the right thought. In every song, I ask help from Him. Everybody around is so good, so to create music that will connect with so many people is not humanly possible without inspiration.

How do you keep yourself level-headed?
It's like driving your car. If you drive too fast on the highway, you will topple, so you better maintain your speed. Life is similar to that and that's the way you have to control your head.

When you go to Ajmer Sharif, I believe you take a rickshaw and go from the back entrance so that no one notices you?
It has happened only for the last three years, where I am scared to take a car. My mom bought a house and I felt great that I could go there for a week and stay. But, the first time I went there, there were a 100 people standing outside. I never stayed there again. It's just that internally you are extremely vulnerable at that time. People are excited and they think they are right, whereas we want peace there.

Is it different when you live in LA?
Ya, I drive a car and cook omelettes there. There is too much of work here, so I like to get away and be able to introspect there.

Which are the directors you enjoy working with?
I enjoy working with people who trust me. The more someone fights with you, your instinct weakens and you tend to say, 'You're the boss you tell me,' and it becomes no one's child. But sometimes, people push you out of your comfort zone and you produce something beautiful. The directors I have enjoyed working with are Mani Ratnam (standards are extremely high and he is right up there for me), Rakeysh Om Prakash Mehra (is extremely open and trusts), Imtiaz Ali (will take you to a zone where you have not gone before), Subhash Ghai (has his own musicality), Ashutosh Gowariker (brings back lost things of Indian film music) and Aanand L Rai (interesting combination of Indianness and intrigue). All of them have an instinct for music. So it's good to work with few people and feel satisfied.

Are you yourself a fan of any star?
I am definitely a Rajinikanth fan. I believe in many things he believes in. Learning from life is what I have learnt from him.

Any regrets?
I missed just a close chance to work with Michael Jackson. I really wanted to meet him and met him twice — once, after the Oscars and the second time, three months after that, we met through my agent who was a friend of his agent. The first meeting was more introductory and mutual admiration. It took a while for me to be comfortable with him. It was fascinating for me that he was talking about the chords of Jai Ho. He talked about how much he loved India and how he wanted to come back. One of his assistants and his kids were playing on the side. He was fully dressed up with makeup and gloves and there was opera music playing in the background. It was on his second visit that he said, 'AR, let's do a song like We Are The World. I spent two hours each time with him. Michael was like a child and suddenly, he would start dancing and showing me his steps and say, 'AR, this is how my every move has to come from my heart.' He was a stroke of lightning in front of me. I wanted to take a picture, but resisted as I know how irritating it is to have someone take a picture with you. He spoke about the best things in the world, about all he wants to do. It would always take a long time for people to connect with him as he had so many people in between, but we spoke 3-4 times on the phone after that. A month after my second visit, he died.

Is it different to work in Hollywood versus working in India?
India is so much easier than Hollywood. I have been able to do so much here, due to the trust and people investing money in me and I have no complaints. Hollywood works in two ways. One, is to work with people like Danny Boyle, who is like a Mani Ratnam and completely trusts you. And then there are studio movies, where a panel of people control you and your music. Even though this panel is not ordinary and includes some of the best actors and musicians, it is difficult to pass them. Since they put hundreds of millions of dollars behind a movie, they need to play it safe and have themselves covered. I like both, as I am in a space there where all the people I have admired all my life, are just a street away from my place in LA. I don't recognise them, but they do due to my brown skin. When you win an Oscar, you also become an Academy winner, where you can vote for every category and have access to free screenings for all the movies with a plus one. I have
learnt structure there, but it is the Indian film industry that has made the world look at me.